Challenger App

No.1 PSC Learning App

1M+ Downloads
In what language was "Pygmalion" first presented on stage?

AEnglish

BIrish

CGerman

DFrench

Answer:

C. German

Read Explanation:

Understanding George Bernard Shaw's 'Pygmalion'

  • Pygmalion is a celebrated play written by the Irish playwright, George Bernard Shaw.
  • It first premiered on stage in German on October 16, 1913.
  • This initial performance took place at the Hofburg Theatre in Vienna, Austria.
  • Reasons for German Premiere:

    • Shaw was immensely popular in German-speaking countries, and his plays were often translated and performed there first.
    • One significant reason for the German premiere was to secure international copyright. At the time, performing a play abroad before its home country premiere could help solidify its copyright protection, especially against unauthorized adaptations.
  • The play's first English-language performance occurred later, on April 11, 1914, at His Majesty's Theatre in London.
  • Key Themes and Adaptations:

    • Pygmalion explores themes of social class, language, identity, and the challenges of social mobility in early 20th-century Britain.
    • The play famously depicts the transformation of a Cockney flower girl, Eliza Doolittle, into a refined lady under the instruction of phonetics professor Henry Higgins.
    • It served as the basis for the highly successful Broadway musical My Fair Lady (1956), which was later adapted into an Academy Award-winning film (1964).
  • Authorial Recognition:

    • George Bernard Shaw was a prolific writer and a co-founder of the London School of Economics.
    • He was awarded the Nobel Prize in Literature in 1925, with Pygmalion being one of his notable contributions to literature.

Related Questions:

What does Macbeth mean when he says his mind is “full of scorpions”?
In George Bernard Shaw's Pygmalion, the transformation of Eliza Doolittle raises several themes and questions about social class and identity. Which of the following statements best captures the play's commentary on the nature of social mobility and identity?
What is the main subject of the argument between Sir Peter and Lady Teazle at the beginning of Act II?
Sheridan’s play “The School for Scandal” is associated with which genre?
What does Algernon tell Jack he has always suspected him of being?