When Pozzo and Lucky reappear in "Waiting for Godot," what is tragically different about Pozzo?
AHe is happy
BHe is blind.
CHe is carrying the bags
DHe has a new hat
Answer:
B. He is blind.
Read Explanation:
Understanding Pozzo's Transformation in "Waiting for Godot"
- Waiting for Godot, a play by Samuel Beckett, is a foundational work of the Theatre of the Absurd. It consists of two acts, and the characters largely mirror their experiences in both acts, albeit with slight changes.
- In Act I, Pozzo is depicted as a cruel, overbearing master, leading his servant Lucky by a rope. He is boastful, enjoys command, and is visually capable, even using a whip.
- When Pozzo and Lucky reappear in Act II, a significant and tragic transformation has occurred: Pozzo is blind. This blindness is a central element of his changed state.
- This physical affliction dramatically alters his dynamic with Lucky; he is now dependent on Lucky, who is also seemingly mute or barely able to speak.
- Pozzo's blindness symbolizes several key themes in the play:
- Decay and Deterioration: It represents the relentless passage of time and the physical and mental decline it brings.
- Loss of Control: His blindness strips him of the power and dominance he exhibited in Act I.
- The Human Condition: It highlights the vulnerability and helplessness of humanity in an indifferent universe.
- Uncertainty and Memory: Pozzo often forgets past events, and his blindness further blurs his perception of reality, aligning with the play's theme of unreliable memory.
- His repeated falls and inability to get up without assistance further emphasize his vulnerability and the play's dark humor.
Key Facts for Competitive Exams:
- Author: Samuel Beckett (Irish playwright, novelist, and poet).
- Genre: Absurdist Drama, Tragi-comedy.
- Original Language: French (En attendant Godot). Beckett translated it into English himself.
- First Performance: January 5, 1953, at the Théâtre de Babylone, Paris.
- Nobel Prize: Samuel Beckett was awarded the Nobel Prize in Literature in 1969.
- Characters: Vladimir (Didi), Estragon (Gogo), Pozzo, Lucky, and a Boy (Godot's messenger). Godot never appears.
- The play's structure emphasizes cyclical repetition, where events and dialogue often echo between Act I and Act II, but with subtle, often darker, variations like Pozzo's blindness and Lucky's further deterioration.