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Which film movement, prevalent in 1910s-1920s German filmmaking, is characterized by extreme sets, décor, acting, lighting, and camera angles to achieve a dramatic effect?

ANeorealism

BGerman Expressionism

CSurrealism

DFilm Noir

Answer:

B. German Expressionism

Read Explanation:

German Expressionism in Film (1910s-1920s)

  • Artistic Roots: German Expressionism originated as a modernist movement in painting, literature, and theatre in early 20th-century Germany, aiming to express subjective emotions and inner psychological states rather than objective reality.
  • Cinematic Characteristics:
    • Distorted Sets and Décor: Films featured exaggerated, distorted, and stylized sets, often with sharp angles, warped perspectives, and unnatural shapes. This created a visual representation of the characters' disturbed mental states.
    • Chiaroscuro Lighting: High-contrast lighting (chiaroscuro) was heavily employed, with deep shadows and stark, dramatic illumination to enhance mood and psychological tension.
    • Stylized Acting: Performances were often theatrical and exaggerated, with actors using intense facial expressions and dramatic gestures to convey emotions.
    • Unconventional Camera Angles: Low or high angles, Dutch tilts (canted angles), and close-ups were used to create unease, disorientation, and to emphasize subjective viewpoints.
  • Themes: Common themes included madness, alienation, social decay, the supernatural, and the darker aspects of human nature.
  • Key Films:
    • The Cabinet of Dr. Caligari (1920) - Considered a quintessential example, with its iconic hand-painted sets and distorted reality.
    • Nosferatu the Vampyre (1922) - A highly influential horror film known for its atmospheric dread and expressionistic visuals.
    • Metropolis (1927) - While also pioneering in sci-fi, its visual style heavily draws from Expressionism, particularly in its depiction of the dystopian city.
  • Historical Context:
    • Flourished in the Weimar Republic, a period of significant social and political upheaval in Germany after World War I.
    • The economic instability and psychological trauma of the war contributed to the movement's focus on inner turmoil and societal anxieties.
  • Influence: German Expressionism profoundly influenced later filmmaking, particularly film noir, horror films, and the visual styles of directors like Alfred Hitchcock and Tim Burton. Many filmmakers who worked in this movement, such as Fritz Lang and F.W. Murnau, later emigrated to Hollywood, bringing their stylistic innovations with them.

Related Questions:

Identify the correct statements about montage sequences in film.

  1. Montage, derived from the French word for 'to assemble,' refers to a film's editing system or rhythm.
  2. Montage sequences typically condense space, time, and information through a series of short shots.
  3. Introduced by filmmakers like Eisenstein, montage primarily focuses on creating symbolic meaning through the collision of images.
  4. In French cinema, 'montage' simply denotes the entire process of film editing.
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