Coleridge believed that while simplicity was valuable, poetry should not be limited to rustic dialects.
In Biographia Literaria (1817), he critiqued Wordsworth’s theory of poetic language, arguing that:
Poetry Requires Elevated Expression – While he appreciated Wordsworth’s focus on natural language, he believed that poetry should go beyond rustic speech by incorporating imagination, refined diction, and rhythm.
Rustic Language is Not Always Poetic – Coleridge pointed out that not all rural speech is naturally poetic; it can sometimes be coarse, unstructured, or lacking in expressive power. He argued that poetry should refine and elevate language rather than merely imitate ordinary speech.
The Role of the Poet’s Imagination – He believed that the poet’s imagination transforms language, making it more artistic and expressive. Poetic language should be carefully chosen for its beauty and impact, not just for its simplicity.
Universality Over Local Dialects – Limiting poetry to rustic dialects could make it less accessible to a broader audience. Instead, poetry should use language that, while natural, is also elevated and aesthetically pleasing.