Archaeological evidence traces Odissi back to the 2nd century BCE, with depictions found in the Udayagiri and Khandagiri caves in Bhubaneswar.
The dance form is rooted in the principles of the Natyashastra and Abhinaya Darpana.
Traditionally, Maharis—temple dancers—were the primary practitioners and custodians of Odissi.
Later, a group of male dancers known as Gotipuas was trained in the art.
Another variation of this dance, called Nartala, continued to be performed in royal courts.
The movement technique is centered around two fundamental postures:
Chowk – a square stance representing masculinity
Tribhanga – a three-bend posture embodying femininity
Expressive hand gestures (mudras) and fluid torso movements are essential elements of Odissi.
The Odissi orchestra typically includes a Pakhavaj player, flutist, sitar player, manjira (cymbals) player, and a vocalist.