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According to the Natyashastra, how are dramatic works primarily categorized?
What does the Natyashastra indicate about gender roles in Sanskrit theatrical performances?
Which of the following is a distinctive feature of Sanskrit drama performance, in contrast to classical European drama?
Which of the following correctly orders the five ideal plot transitions in Sanskrit drama as described in the Natyashastra?
According to the Natyashastra, which of the following correctly matches a subtype of Rupaka with its characteristics?
Which of the following statements about Sanskrit drama, as described in the Natyashastra, is correct?
According to the Natyashastra, which of the following best reflects the ultimate aim of Sanskrit drama?
What is the significance of Rasa in Sanskrit drama, according to the Natyashastra?
Why do Sanskrit dramas typically avoid tragic endings, according to the principles outlined in the Natyashastra?
Which of the following correctly identifies the components that make up Rasa in Sanskrit drama?
Which of the following statements best describes the purpose and concepts in Sanskrit drama, according to the Natyashastra?
What was one of the earliest mentions of performers, or "natas," in Indian dramatic tradition?
Which of the following components is not typically involved in a dramatic performance, as described in the Indian tradition of theatre?
According to Bharatamuni’s Natyashastra, what is the origin of Indian drama?
Which period is recognized for the emergence of dramatic features in Indian tradition, such as dialogue hymns and rituals?
What is considered the most significant treatise on Indian drama, highlighting its Vedic roots and performative elements?
Which of the following Indian artists is known to have honed their craft through theatre?
Which of the following statements best reflects the role of theatre in Indian culture?
Sattriya dance reflects the cultural elements of which Indian state?
Which of the following dance traditions has not influenced the development of Sattriya dance?
Which of the following statements is true about the Sattriya dance form?
Which of the following is not a key instrument traditionally used in Manipuri dance performances?
Who is credited with the patronage of Raslila dances in Manipuri dance?
Which of the following forms of Manipuri dance is specifically a martial art form?
Which of the following is true regarding the rhythm system in Manipuri dance?
Which of the following instruments is primarily associated with the classical music of Manipuri dance?
Which of the following is not a traditional form or element associated with Manipuri dance?
Which of the following statements best reflects the evolution and features of Manipuri dance?
During the Mughal era, how did the context and presentation of Kathak change?
What role did Raslila play in the development of Kathak?
Which of the following musical traditions and instruments are most closely associated with Kathak?
Which of the following Kathak gharanas is correctly matched with a distinguishing feature?
Who played a significant role in shaping the Lucknow Gharana of Kathak during its golden age?
Which of the following statements best describes the stylistic features of Kathak?
Which of the following correctly describes the historical evolution of Kathak?
Which of the following statements about Kathak is correct?
Which of the following dance postures in Odissi represents a three-bend posture symbolizing femininity?
What is the historical significance of the Udayagiri and Khandagiri caves in Bhubaneswar to the dance form Odissi?
Which instruments are typically included in the Odissi orchestra?
Who were the primary practitioners of Odissi in its traditional form?
Who were the primary practitioners of Odissi in its traditional form?
Which of the following best describes the significance of the Chowk and Tribhanga postures in Odissi?
Which of the following correctly describes key features of the classical Indian dance form Odissi?
Which of the following texts, written in 1709, contains an early reference to Mohiniyattam?
The name "Mohiniyattam" is derived from "Mohini," who is known in Hindu mythology as:
Who were the early performers of the dance form that later evolved into Mohiniyattam, and what was it originally called?
Which of the following literary works contains an early mention of Mohiniyattam?
Which of the following best describes the movement technique of Mohiniyattam?
Who among the following rulers played a significant role in refining and structuring Mohiniyattam into its present-day classical form?
Which historical text provides one of the earliest references to the precursor of Mohiniyattam known as Dasiyattam?