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According to the Natyashastra, how are dramatic works primarily categorized?
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What does the Natyashastra indicate about gender roles in Sanskrit theatrical performances?
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Which of the following is a distinctive feature of Sanskrit drama performance, in contrast to classical European drama?
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Which of the following correctly orders the five ideal plot transitions in Sanskrit drama as described in the Natyashastra?
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According to the Natyashastra, which of the following correctly matches a subtype of Rupaka with its characteristics?
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Which of the following statements about Sanskrit drama, as described in the Natyashastra, is correct?
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According to the Natyashastra, which of the following best reflects the ultimate aim of Sanskrit drama?
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What is the significance of Rasa in Sanskrit drama, according to the Natyashastra?
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Why do Sanskrit dramas typically avoid tragic endings, according to the principles outlined in the Natyashastra?
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Which of the following correctly identifies the components that make up Rasa in Sanskrit drama?
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Which of the following statements best describes the purpose and concepts in Sanskrit drama, according to the Natyashastra?
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What was one of the earliest mentions of performers, or "natas," in Indian dramatic tradition?
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Which of the following components is not typically involved in a dramatic performance, as described in the Indian tradition of theatre?
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According to Bharatamuni’s Natyashastra, what is the origin of Indian drama?
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Which period is recognized for the emergence of dramatic features in Indian tradition, such as dialogue hymns and rituals?
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What is considered the most significant treatise on Indian drama, highlighting its Vedic roots and performative elements?
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Which of the following Indian artists is known to have honed their craft through theatre?
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Which of the following statements best reflects the role of theatre in Indian culture?
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Sattriya dance reflects the cultural elements of which Indian state?
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Which of the following dance traditions has not influenced the development of Sattriya dance?
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Which of the following statements is true about the Sattriya dance form?
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Which of the following is not a key instrument traditionally used in Manipuri dance performances?
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Who is credited with the patronage of Raslila dances in Manipuri dance?
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Which of the following forms of Manipuri dance is specifically a martial art form?
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Which of the following is true regarding the rhythm system in Manipuri dance?
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Which of the following instruments is primarily associated with the classical music of Manipuri dance?
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Which of the following is not a traditional form or element associated with Manipuri dance?
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Which of the following statements best reflects the evolution and features of Manipuri dance?
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During the Mughal era, how did the context and presentation of Kathak change?
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What role did Raslila play in the development of Kathak?
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Which of the following musical traditions and instruments are most closely associated with Kathak?
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Which of the following Kathak gharanas is correctly matched with a distinguishing feature?
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Who played a significant role in shaping the Lucknow Gharana of Kathak during its golden age?
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Which of the following statements best describes the stylistic features of Kathak?
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Which of the following correctly describes the historical evolution of Kathak?
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Which of the following statements about Kathak is correct?
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Which of the following dance postures in Odissi represents a three-bend posture symbolizing femininity?
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What is the historical significance of the Udayagiri and Khandagiri caves in Bhubaneswar to the dance form Odissi?
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Which instruments are typically included in the Odissi orchestra?
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Who were the primary practitioners of Odissi in its traditional form?
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Who were the primary practitioners of Odissi in its traditional form?
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Which of the following best describes the significance of the Chowk and Tribhanga postures in Odissi?
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Which of the following correctly describes key features of the classical Indian dance form Odissi?
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Which of the following texts, written in 1709, contains an early reference to Mohiniyattam?
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The name "Mohiniyattam" is derived from "Mohini," who is known in Hindu mythology as:
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Who were the early performers of the dance form that later evolved into Mohiniyattam, and what was it originally called?
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Which of the following literary works contains an early mention of Mohiniyattam?
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Which of the following best describes the movement technique of Mohiniyattam?
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Who among the following rulers played a significant role in refining and structuring Mohiniyattam into its present-day classical form?
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Which historical text provides one of the earliest references to the precursor of Mohiniyattam known as Dasiyattam?
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